Big Blue Dot is a non-profit company based in Greece. Contemporary ceramics is a form of art constantly developing and evolving, presenting an upward trend worldwide and in Greece. In addition, Greece is increasingly recognised as a cultural hub in South-Eastern Europe due to its geographical location, the significant number of visitors, and the strong ‘brand’ of its cultural heritage.The organization of the first Biennale of Contemporary Keramics in Greece reflects the need to support Greek ceramics, create occasions for new aesthetic trends, promote research, and strengthen communication between creators and the public.

Big Blue Dot’s wanderings in Greece aim to provide educational opportunities to the local communities and new experiences, contribute to cultural tourism development, and strengthen the local economy and art. Every two years, the event will have a fresh, renewed face highlighting a different part of Greece and history.

Who we are

The Biennale of Contemporary Keramics, organized by the civil non profit company Big Blue Dot, stands out for its decentralized and nomadic character. Like a wandering blue dot, it avoids being anchored in the Athenian metropolis. Instead, it takes place each time on a different island, drawing inspiration from the unique qualities of each location, including its archaeological past, myths, and history. The event features the main exhibition and a diverse parallel program of performances, projects, and workshops, fostering engagement among artists and the local community.

Who we are

The Biennale of Contemporary Keramics, organized by the civil non profit company Big Blue Dot, stands out for its decentralized and nomadic character. Like a wandering blue dot, it avoids being anchored in the Athenian metropolis. Instead, it takes place each time on a different island, drawing inspiration from the unique qualities of each location, including its archaeological past, myths, and history. The event features the main exhibition and a diverse parallel program of performances, projects, and workshops, fostering engagement among artists and the local community.

What we do

BCK’s journey across Greece not only brings valuable educational opportunities to local communities, offering new knowledge, experiences, and inspiration but also contributes significantly to the development of cultural tourism. These wanderings play a vital role in strengthening the local economy and the art scene. The Organizational Committee, in collaboration with artistic agencies and groups, institutions, museums, and educational organizations, actively researches and plans innovative ways to showcase Greece’s cultural heritage through Contemporary Ceramic Art. The event takes on a fresh and renewed identity every two years, highlighting and culturally empowering a different part of Greece and history.

What we do

BCK’s journey across Greece not only brings valuable educational opportunities to local communities, offering new knowledge, experiences, and inspiration but also contributes significantly to the development of cultural tourism. These wanderings play a vital role in strengthening the local economy and the art scene. The Organizational Committee, in collaboration with artistic agencies and groups, institutions, museums, and educational organizations, actively researches and plans innovative ways to showcase Greece’s cultural heritage through Contemporary Ceramic Art. The event takes on a fresh and renewed identity every two years, highlighting and culturally empowering a different part of Greece and history.

Our vision

Mainly driven by the need to promote and highlight Contemporary Greek Ceramic Art and ceramists at a global level, BCK aspires to be a great cultural event that will be held biannually in Greece. An initiative where artists can meet and enrich their knowledge whilst present a new way of reading the cultural heritage of Greece through Contemporary Art.

Our mission

BCK’s mission is to fill the gap that existed until now in Contemporary Ceramic Art in our country and to be an equally important Biennale with those abroad. BCK is a catalyst for Greek culture and for the Greek and foreign ceramists promotion – established and young, connecting domestic artistic production with the international scene of Contemporary Ceramic Art and vice versa.

BCK Team

Loukia Thomopoulou

Founder & Creative Director - BCK 2026 Curator

Loukia Thomopoulou

Founder & Creative Director - BCK 2026 Curator

Stamatia Dimitrakopoulos

BCK 2026 Curator

Stamatia Dimitrakopoulos

BCK 2026 Curator

Anissa Touati

BCK 2026 Curator

Anissa Touati

BCK 2026 Curator

Eleni Lozou

Artists Liaison

Eleni Lozou

Artists Liaison

Iakovos Sachinis

Project Coordination

Iakovos Sachinis

Project Coordination

Aristeidis (Aris) Petrou

Exhibition Design

Aristeidis (Aris) Petrou

Exhibition Design

Dimitris Papazoglou

Branding & Signage Design

Dimitris Papazoglou

Branding & Signage Design

Lambros Papanikolatos

Strategic Advisor

Lambros Papanikolatos

Strategic Advisor

Evie Dikaiou

Synergies Strategy

Evie Dikaiou

Synergies Strategy

Lia Dikaiou

Synergies Strategy

Lia Dikaiou

Synergies Strategy

Giorgos Tzigkounakis

Web Development

Giorgos Tzigkounakis

Web Development

Elli Mouchtari

Social Media

Elli Mouchtari

Social Media

Marilina Giannatou

Administrative Support

Marilina Giannatou

Administrative Support

Helios in Reflection

Lucille Uhlrich is a French sculptor whose work explores how time passes through matter. She gathers and assembles raw materials from her surroundings, creating polymorphous forms. Her sculptures remain open in meaning, inviting reflection on traces, transformation, and the things we leave behind.

Lucille Uhlrich (@lucilleuhlrich), Helios in Reflection, 2026, gold-glazed sandstone, dimensions variable. Supported by the Institut Français de Grèce. (@institutfrancaisgrece)

The artwork is currently on view at the Archaeological Museum of Rhodes.

Curated by:
Stamatia Dimitrakopoulos @kopse_ligo
Loukia Thomopoulou @loukiat
Anissa Touati @anissatowati

©️George Pappas
©️Ministry of Culture (@minculturegr) / Ephorate of Antiquities of the Dodecanese (@efadodecanese)

#BCKeramics #BCK2026 #Rhodes

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Open post by bckeramics with ID 17871474000630775
Helios in Reflection Lucille Uhlrich is a French sculptor whose work explores how time passes through matter. She gathers and assembles raw materials from her surroundings, creating polymorphous forms. Her sculptures remain open in meaning, inviting reflection on traces, transformation, and the things we leave behind. Lucille Uhlrich (@lucilleuhlrich), Helios in Reflection, 2026, gold-glazed sandstone, dimensions variable. Supported by the Institut Français de Grèce. (@institutfrancaisgrece) The artwork is currently on view at the Archaeological Museum of Rhodes. Curated by: Stamatia Dimitrakopoulos @kopse_ligo Loukia Thomopoulou @loukiat Anissa Touati @anissatowati ©️George Pappas ©️Ministry of Culture (@minculturegr) / Ephorate of Antiquities of the Dodecanese (@efadodecanese) #BCKeramics #BCK2026 #Rhodes

...

Informed by the prehistoric, Greek, Roman, and Byzantine legacies of the region, Elif Uras reclaims suppressed histories and amplifies enduring lineages. Gilded female figures populate the surfaces of her ceramics, engaged in acts of caregiving, domestic labour, agriculture, and heritage crafts such as weaving and pottery. Uras transforms these undervalued activities into expressions of resilience and resistance, rendering them timeless through mythic form.

Elif Uras (@elifuras), Gold Day, 2026, underglaze, glaze and gold lustre on stonepaste, 75 x 37 x 37 cm.
Elif Uras, Universal Goddess, 2026, underglaze, glaze and gold lustre on stonepaste, 76,2 x 45,7 x 25,4 cm.
Elif Uras, Rodio Orientali, 2026, terra sigillata, underglaze, glaze and gold lustre on stoneware, 51 x 32 x 32 cm.
Elif Uras, Seated Mosaic, 2026, terra sigillata, underglaze, glaze and gold lustre on stonepaste, 53 x 60 x 32 cm.

Courtesy of the artist and GALERIST ( @galerist_tr). Supported by SAHA.

The artwork is currently on view at the Archaeological Museum of Rhodes.

Curated by:
Stamatia Dimitrakopoulos @kopse_ligo
Loukia Thomopoulou @loukiat
Anissa Touati @anissatowati

©️George Pappas
©️Ministry of Culture (@minculturegr) / Ephorate of Antiquities of the Dodecanese (@efadodecanese)

#BCKeramics #BCK2026 #Rhodes

111 4
Open post by bckeramics with ID 18065501075718819
Informed by the prehistoric, Greek, Roman, and Byzantine legacies of the region, Elif Uras reclaims suppressed histories and amplifies enduring lineages. Gilded female figures populate the surfaces of her ceramics, engaged in acts of caregiving, domestic labour, agriculture, and heritage crafts such as weaving and pottery. Uras transforms these undervalued activities into expressions of resilience and resistance, rendering them timeless through mythic form. Elif Uras (@elifuras), Gold Day, 2026, underglaze, glaze and gold lustre on stonepaste, 75 x 37 x 37 cm. Elif Uras, Universal Goddess, 2026, underglaze, glaze and gold lustre on stonepaste, 76,2 x 45,7 x 25,4 cm. Elif Uras, Rodio Orientali, 2026, terra sigillata, underglaze, glaze and gold lustre on stoneware, 51 x 32 x 32 cm. Elif Uras, Seated Mosaic, 2026, terra sigillata, underglaze, glaze and gold lustre on stonepaste, 53 x 60 x 32 cm. Courtesy of the artist and GALERIST ( @galerist_tr). Supported by SAHA. The artwork is currently on view at the Archaeological Museum of Rhodes. Curated by: Stamatia Dimitrakopoulos @kopse_ligo Loukia Thomopoulou @loukiat Anissa Touati @anissatowati ©️George Pappas ©️Ministry of Culture (@minculturegr) / Ephorate of Antiquities of the Dodecanese (@efadodecanese) #BCKeramics #BCK2026 #Rhodes

...

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