The work of Nikos Sepetzoglou consists of both paintings and sculptures that are often put together and presented as parts of a single installation.
The role and significance of the fragment, as well as notions of time, loss, decay, restoration, destruction and reconstruction, all inform his research and practice.
Space, image and objects are employed in his installations as conceptual tools that are constructed, deconstructed and constantly mutated in a quest for form and content.
The traces of the process of construction and deconstruction remain visible in the final artwork, in a way that allows the creative process to coexist with decay and “violent” re‐contextualization.
His professional occupation and experience in the field of research, reconstruction and drawing of Aegean Bronze Age wall paintings and other archaeological finds, exerts a considerable influence on his artistic practice. As a result, he has incorporated in his creative process various methods of preserving, restoring, organizing and archiving the fragments he creates.